Lowercase Calligraphy

Written in calligraphy, words appear to waltz across a page. But don't let the rythmic flourishes and old-world elegance of such lettering fool you. Calligraphy is easy to learn. All you need to do it are a few special tools and a bit of patient practice. Before long, you'll find making letters this way as comfortable as using your best penmanship.

There are numerous styles and methods of calligraphy. We selected copperplate script because of its sophisticated appearance and simple form. Begin with a pen, a nib, ink or gouache, a guide sheet, and paper. Dip the pen into the ink until the hole of the nib is nearly covered; tap the nib on the rim of the pot, then make a few strokes on scrap paper to eliminate any excess ink, which might cause blotches or drips. The goal is to use enough ink to make solid lines, but not so much that the lines bleed. When the nib begins to scratch the paper, it's time to redip your pen.

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There are several kinds of calligraphy pens to choose from when you're starting out. Most calligraphers recommend working with a dip pen for best results. But calligraphy for beginners is much easier to start with if you use a felt-pen or a fountain-pen that has a calligraphy nib. If you prefer, fasten two pencils together to practise ‘double-line' calligraphy so you start to understand the way the letterforms work. Most books on the subject will contain a few pages of calligraphy instructions about different types of pen and other tools.

Creating A Gothic Alphabet

Historically, the ‘Gothic' alphabet refers to a series of scripts used to write texts in Europe between the 12th and 15th centuries, roughly speaking. These scripts varied in quality, shape and style but they also shared definite characteristics which we still look for in Gothic alphabets today.

Free Old English Letters

The above facts and information about the Old English Letters used during Elizabethan times help to clarify the confusion surrounding the translation of old English documents! The facts explain why the old English letters in Elizabethan manuscripts look different to the way they are written in modern English! They also explain why English words were spelt differently in the Elizabethan language and why old English letters were written differently in the Elizabethan era! The above explanations about old English letters provide valuable information for those wishing to try the translation of an Elizabethan document!

This information about the old English Elizabethan Language and the Elizabethan Online Dictionary for an easy to follow Elizabethan language guide! The translation and definition of the Elizabethan words and meanings used in the Elizabethan language make the literature of the era, including the works of William Shakespeare much easier to understand!

Elizabethan alphabet contained just 24 old English letters

Old English Font is Beauty Art - The Elizabethan alphabet contained just 24 old English letters as opposed to the 26 letters used in the modern English alphabet. The following table contains pictures of the 26 letters of the modern English alphabet depicted in an ornate style typical of those used with old English letters.

Interesting Facts and Information about Elizabethan Life and Old English Letters

Ever wondered why the old English letters in Elizabethan manuscripts look different to the way they are written in modern English? Ever wondered why English words were spelt differently in the Elizabethan language? Ever wondered why old English letters were written differently in the Elizabethan era? The following interesting facts and information provides answers to these perplexing questions!

Calligraphy Pens

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Tibetan Calligraphy

Tibetan calligraphy refers to the calligraphic traditions used to write the Tibetan language. As in other parts of East Asia, nobles, high lamas, and persons of high rank were expected to have high abilities in calligraphy. However, unlike calligraphy in China, Japan, and Korea, calligraphy was done using a reed pen as opposed to a brush. Nevertheless, East Asian influence is apparent visually, as Tibetan calligraphy is at times more free-flowing than calligraphy involving the descendants of other Brahmi scripts. Given the overriding religious nature of Tibetan culture, many of the traditions in calligraphy come from religious texts, and most Tibetan scribes have a monastic background

Persians adapted the Arabic alphabet

After initiation of Islam in the 7 th century, Persians adapted the Arabic alphabet to Persian and developed the contemporary Persian alphabet. Arabic alphabet has 28 characters and Iranians added another four letters in it to arrive at existing 32 Persian letter. Around one thousand years ago, Ibn Muqlah and his brother created six genres of Iranian calligraphy, namely "Tahqiq", "Reyhan", "Sols", "Naskh", "Toqih" and "Reqah". These genres were common for four centuries in Persia. In 7th century (Hijri calendar), "Hassan Farsi Kateb" combined "Naskh" and "Reqah" styles and invented a new genre of Persian calligraphy, named "Ta'liq". Eventually in the 14th century, "Mir Ali Tabrizi" combined two major scripts of his time i.e. Naskh and Taliq and created the most attractive Persian Calligraphy style, "Nas’taliq" is one of the main script styles used in writing the Perso-Arabic script, and traditionally the predominant style in Persian calligraphy.

Morteza Gholi Khan Shamlou and Mohammad Shafi Heravi created a new genre called cursive Nastaʿlīq Shekasteh Nastaʿlīq in the 17 th century. Almost a century later, a prominent artist named Abdol-Majid Taleqani brought this genre to its highest level. This calligraphy style is based on the same rules as Nas’taliq, but it provides more flexible movements. It is a little more stretched and curved. Among contemporary calligraphers in this style, “YadollahKaboli” definitely ranks in the most prominent place.